Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | Kola punishment | Madonna dell'Eucarestia | Portrat of Giuliano de-Medici | Venus and Mars (mk36) | Madonna and child with six Angels or Madonna of the Pomegranate |
Related Artists:
Jules Aviat
French b.1844
William Larkin
(early 1580s - 1619) was an English painter active from 1609 until his death in 1619, known for his iconic portraits of members of the court of James I of England which capture in brilliant detail the opulent layering of textiles, embroidery, lace, and jewellery characteristic of fashion in the Jacobean era, as well as representing numerous fine examples of oriental carpets in Renaissance painting.Larkin was born in London in the early 1580s, and lived in the parishes of St Sepulchre-without-Newgate, Holborn, and St Anne Blackfriars. He became a freeman of the Worshipful Company of Painter-Stainers on 7 July 1606 under the patronage of Lady Arbella Stuart and Edward Seymour, 1st Earl of Hertford. Married before 1612, he buried a stillborn son in that year; a son, William, in 1613; and a daughter, Mary, in January 1614/15, all at St Anne Blackfriars. Another daughter called Mary was alive at the time of his death. He died sometime between the witnessing of his will on 10 April 1619 and its proving on 14 May. The date of his burial is unknown because the parish records were destroyed in the Great Fire of London in 1666
Pieter Soutman
(1593-1601 - 16 August 1657) was a Dutch Golden Age painter and printmaker from Haarlem.